Screenwriting · Writers’ room

Three beat sheets for one episode.You pick the best beats.

Write the episode brief in a note. A showrunner agent on Claude Code sends it to two helpers on other AIs along the arrows you drew, drafts its own version meanwhile and lays all three side by side. You choose the cold open from one, the midpoint from another — the agent merges exactly that, and saves it only when you allow.

Three versions, then your picks merged into one. Allow the save when it asks.

The showrunner agent sends episode 3 to helpers on Codex and Qwen Code, drafts its own version and lays all three side by side; you pick the beats and it merges them.

Different models, different instincts

Helpers run on Codex and Qwen Code next to Claude Code, so the versions really differ instead of rephrasing each other.

The room is the arrows

The showrunner can only hand work to agents you connected to it — an arrow from lead to helper is the whole setup.

Side by side, in one note

Every version lands in the same note under its own heading: easy to read, easy to quote in your next prompt.

Your picks, your call

The agent merges only what you chose and asks before writing the beat sheet into the project folder.

Screenwriting · Writers’ room

From a brief to a beat sheet you chose

Three agents, two notes.

01
Brief
Your episode brief in a note.
02
Delegate
The same brief to two other AIs.
03
Compare
Three versions side by side.
04
Merge
Your picks, saved after your OK.

Plain-text formats writers already use

FountainMarkdownFinal Draft (.fdx)HighlandBeat
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Open a writers’ room that never runs late

The agents pitch. You decide what stays.

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